Masterclass by Award-winning Production Designer Jacqueline Abrahams
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How To Make Your Brand Identity Work for You
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Masterclass by Modeler and Propmaker Simon Weisse
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Masterclass by Award-winning Production Designer Maria Djurkovic
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CORTEX – Are You Dreaming or Just Watching An Amazing Film?
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Location Scouting for Big Productions: How Do You Pitch Locations to International Producers on Projects Like Tenet and Chernobyl?
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One-on-one Speed-dating Session for Estonian Professional Actors with International Agents and Casting Experts (with Pre-registration)
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Online Opening with Industry@Tallinn & Baltic Event’s Marge Liiske
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Pitching Refresher Fireside Chat with Bonnie Williams
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How to Make Short Form Series
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European Film Forum Tallinn 2020
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In my calendarBEGIN%3AVCALENDAR%0D%0AVERSION%3A2.0%0D%0APRODID%3A-//industry.poff.ee//Industry@Tallinn//EN%0D%0ABEGIN%3AVEVENT%0D%0AUID%3A000-vh6rj4@industry.poff.ee%0D%0ASEQUENCE%3A0%0D%0ADTSTAMP%3A20201123T140000Z%0D%0ADTSTART%3A20201123T140000Z%0D%0ADTEND%3A20201123T170000Z%0D%0ASUMMARY%3AEuropean%20Film%20Forum%20Tallinn%202020%0D%0ADESCRIPTION%3A**Timetable%20%26%20Sessions%20%28in%20EET%29**%5Cn%5Cn**16.00%20%u2013%2016.10%3A%20Opening%20%0D%0A%20Words%3A%20The%20European%20Industry%20vs.%20COVID19%3A%20Resilience%5C%2C%20Alternatives%5C%2C%20Oppo%0D%0A%20rtunities.**%5CnSten-Kristian%20Saluveer%20-%20EFFT%20Curator%5C%2C%20Head%20of%20NEXT%5C%2C%20MDF%20-%0D%0A%20%20Festival%20de%20Cannes%5Cn%5Cn**16.10%20%u2013%2016.20%20Opening%20Keynote%20by%20the%20European%20Com%0D%0A%20mission.%20Martin%20Dawson%5C%2C%20European%20Commission**%5Cn%5Cn**16.20-%2016.35%20European%20%0D%0A%20Cinema%20and%20Content%20Industry%20vs.%20the%20World%20during%20the%20Pandemic.**%5CnEzra%20Eem%0D%0A%20an%20-%20Senior%20Manager%20Digital%5C%2C%20Transformation%5C%2C%20and%20Platforms%5C%2C%20European%20Br%0D%0A%20oadcasting%20Union%20%28EBU%29%5Cn%5Cn**16.35%20%u2013%2017.10%20Is%20digital%20the%20new%20theatrical%3F%20E%0D%0A%20xploring%20the%20new%20indie%20film%20value%20chain%20during%20transformation**%5CnEzra%20Eema%0D%0A%20n%20-%20Senior%20Manager%20Digital%5C%2C%20Transformation%5C%2C%20and%20Platforms%5C%2C%20European%20Bro%0D%0A%20adcasting%20Union%20%28EBU%29%5CnEwa%20Puszczy%u0144ska%20-%20Producer%20%u201CCold%20War%u201D%5C%2C%20%u201CKill%20It%20an%0D%0A%20d%20Leave%20the%20Town%u201D%5C%2C%20%u201CQuo%20Vadis%5C%2C%20Aida%u201D%5C%2C%20Extreme%20Emotions%5CnTodd%20Brown%20-%20Pa%0D%0A%20rtner%5C%2C%20XYZ%20Films%5Cn%5Cn**17.10%20%u2013%2017.25%20How%20to%20reach%20your%20audience%20during%20a%20l%0D%0A%20ockdown%3F%20The%20digital%20marketing%20playbook%20for%20European%20Films**%5CnBirgit%20Karus%0D%0A%20%20-%20CEO%5C%2C%20Noh%20Productions%5Cn%5Cn**17.25%20%u2013%2018.00%20Reimagining%20the%20European%20Film%20%0D%0A%20Festival%20and%20Industry%20Market%3A%20Crisis%20or%20new%20perspectives%3F**%5CnVanja%20Kaludje%0D%0A%20rcic%20-%20Festival%20Director%5C%2C%20IFFR%5CnSabrina%20Baracetti%20-%20Festival%20Director%5C%2C%20U%0D%0A%20dine%20Far%20East%20FF%5CnWeronika%20Czolnowska%20-%20New%20Horizons%5C%2C%20Head%20of%20Industry%5Cn%5C%0D%0A%20n**18.00%20%u2013%2018.15%20How%20to%20%28successfully%29%20restart%20European%20film%20production%20sa%0D%0A%20fely%3F**%20Adrian%20Wooton%20-%20Head%5C%2C%20Film%20London%5Cn%5Cn**18.15%20%u2013%2018.30%20European%20Fut%0D%0A%20ure%20Frontieres%3A%20The%20opportunities%20for%20Future%20Infrastructure%20for%20European%20C%0D%0A%20inema%20and%20Content%20Industry**%20Philippe%20Rixhon%20-%20Infrastructure%20Designer%5C%2C%20D%0D%0A%20igiciti%20Networks%5C%2C%20European%20Future%20Copyright%20Infrastructure%5Cn%5Cn**18.30%20-18%0D%0A%20.50%20Closing%20Fireside%20Chat%3A%20Leadership%20for%20Resilience%5C%2C%20Foresight%5C%2C%20Transfo%0D%0A%20rmation.**%5CnRobert%20Wolcott%20-%20Adjunct%20Professor%20of%20Executive%20Education%5C%2C%20Co%0D%0A%20-Founder%20and%20Executive%20Director%5C%2C%20Kellogg%20Innovation%20Network%5Cn%5Cn**18.50%20%u2013%20%0D%0A%2019.00%20Day%20Wrap**%0D%0AORGANIZER%3BCN%3D%22Industry@Tallinn%20%26%20Baltic%20Event%22%3Amailto%3Aindustry@poff.ee%0D%0AEND%3AVEVENT%0D%0AEND%3AVCALENDAR
TV Beats: Jörg Winger Masterclass on Global Changes and Trends in Series Production
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Fighting Corona pt 2: How to Use Audience Data Correctly For Film Marketing?
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French-Estonian Film Co-production: Opportunities and Case-studies. In The Light of The New Treaty
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Industry Talk: The Future of Online Casting and Auditioning
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Creative Loan - An Affordable Loan for Those Who Create
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Shoot in the Baltics!
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Creating Series From an Existing IP
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Global Screen Production – The Impact of Film and Television Production on Economic Recovery from COVID-19
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Don’t Sabotage Your Own Film!
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BNS: Panel with US Casting Agents, Casting Directors, and Talent Managers About the Way US Auditions Work and How Casting Directors Find European Actors.
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BNS Workshop with Casting Director Tusse Lande of Casting Agency Kompani Lande: How to Promote Yourself in a Competitive Market and Focusing on How to Present Yourself in the Best Way with Practical Guidance on How to Make an “About Me Video”.
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BNS: Masterclass for Actors: What Makes a Good Casting? How Will We Work the Coming Time and What's to be Expected for Actors?
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Music Meets Film: Valuing Local Territory in Global Industry
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Italian Independent Producers (AGICI) and Cineuropa present - Italian for Advanced Users: Co-production opportunities with Italy
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How Can Artificial Intelligence Work for Your Festival Marketing and Communications? Showcase of FotoInMotion
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Filming Opportunities and Financial Incentives in Russian NorthWest
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Music Meets Film: Choosing Doors: A Conversation with Danny Elfman
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TV Beats: How Has COVID Impacted Global Production?
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TV Beats: New Solutions: Producing and Co-Producing in the COVID Era
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Music Meets Film: Production Processes Affecting Creativity
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TV Beats: Fighting For Gender Equality With the Geena Davis Institute
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BNS: What Casting Directors Can Do for Your Project, Securing Cast and How to Get the Right Actors for Your Project
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TV Beats: The Appetite for Female-Led Content
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Creative Virtual Reality Industry: Outcomes of the Pandemic
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TV Beats: Baltic Women: What's New, What Next?
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BNS: DEADLINE Talk with Tom Grater and the Tallinn Black Nights Stars. Q&A for the Public
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Boundaries on the Cinema Screen - Content We Show or Choose to Show the Young Audience, Should it be Regulated and if so, by Whom?
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TV Beats: Case Study: STRANGER THINGS S4
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BNS: Intimacy in Front of the Camera - Webinar by Julia Effertz, Intimacy Coordinator
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TV Beats: Germany: Serious About Series
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TV Beats: Case Study: DEUTSCHLAND
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In my calendarBEGIN%3AVCALENDAR%0D%0AVERSION%3A2.0%0D%0APRODID%3A-//industry.poff.ee//Industry@Tallinn//EN%0D%0ABEGIN%3AVEVENT%0D%0AUID%3A000-i71uo0@industry.poff.ee%0D%0ASEQUENCE%3A0%0D%0ADTSTAMP%3A20201127T103000Z%0D%0ADTSTART%3A20201127T103000Z%0D%0ADTEND%3A20201127T110000Z%0D%0ASUMMARY%3ATV%20Beats%3A%20Case%20Study%3A%20DEUTSCHLAND%0D%0ADESCRIPTION%3AWe%20go%20behind%20the%20scenes%20of%20hit%20German%20spy%20trilogy%20DEUTSCHLAND%20%0D%0A%2083%5C%2C%2086%20and%2089%20with%20the%20show%27s%20producer%20and%20co-creator%20J%F6rg%20Winger.%20He%20wil%0D%0A%20l%20talk%20about%20lessons%20learned%20from%20the%20show%27s%20screenwriting%20and%20production%20%0D%0A%20to%20its%20global%20release.%5Cn%5CnSpeaker%3A%20J%F6rg%20Winger%5CnModerator%3A%20Tom%20Grater%20%0D%0AORGANIZER%3BCN%3D%22Industry@Tallinn%20%26%20Baltic%20Event%22%3Amailto%3Aindustry@poff.ee%0D%0AEND%3AVEVENT%0D%0AEND%3AVCALENDAR
TV Beats: Adaptation vs. Co-production: Russian - Scandinavian case
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The Changing Place of Film Festivals in the Film Industry
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Writing for Virtual Reality Workshop (pre-registration only)
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In my calendarBEGIN%3AVCALENDAR%0D%0AVERSION%3A2.0%0D%0APRODID%3A-//industry.poff.ee//Industry@Tallinn//EN%0D%0ABEGIN%3AVEVENT%0D%0AUID%3A0000k2ak9w@industry.poff.ee%0D%0ASEQUENCE%3A0%0D%0ADTSTAMP%3A20201127T120000Z%0D%0ADTSTART%3A20201127T120000Z%0D%0ADTEND%3A20201127T150000Z%0D%0ASUMMARY%3AWriting%20for%20Virtual%20Reality%20Workshop%20%20%28pre-registration%20only%29%0D%0ADESCRIPTION%3A**%5C%22Writing%20for%20Virtual%20Reality%5C%22**%20is%20a%20course%20aimed%20at%20film%20%0D%0A%20writers%5C%2C%20narrative%20designers%5C%2C%20and%20dramaturgs%20interested%20in%20Virtual%20Reali%0D%0A%20ty%20who%20have%20little%20or%20no%20experience%20with%20the%20medium.%20The%20final%20goal%20is%20to%20%0D%0A%20create%20a%201-page%20Virtual%20Reality%20script%20during%20the%20session%5C%2C%20considering%20te%0D%0A%20chnical%20and%20narrative%20challenges.%5Cn%5Cn%u201CWriting%20for%20Virtual%20Reality%u201D%20is%20a%20pr%0D%0A%20actical%20workshop%20in%20which%20participants%20learn%20the%20challenges%20of%20writing%20for%0D%0A%20%20cinematic%20virtual%20reality%20and%20develop%20a%201-page%20script.%5Cn%5CnThe%20aim%20of%20this%0D%0A%20%20workshop%20is%20to%20generate%20more%20awareness%20about%20the%20possibilities%20of%20the%20med%0D%0A%20ium%20and%20to%20increase%20the%20number%20of%20screenwriters%20that%20are%20interested%20in%20cre%0D%0A%20ating%20stories%20for%20360%B0%20media%20including%20VR%5C%2C%20XR%5C%2C%20and%20AR%20in%20the%20future.%20Alt%0D%0A%20hough%20immersive%20media%20traces%20back%20to%20the%20last%20century%5C%2C%20there%20is%20little%20pr%0D%0A%20actical%20literature%20for%20writers%20interested%20in%20participating%20in%20this%20medium.%0D%0A%20%5Cn%5CnAna%20Falcon%20will%20be%20the%20moderator%20for%20this%20event.%20The%20workshop%20was%20crea%0D%0A%20ted%20as%20part%20of%20her%20current%20research%20in%20Virtual%20Reality%20screenwriting%20metho%0D%0A%20dologies.%20She%20was%20selected%20for%20the%202008%20Fusion%20Arts%20Exchange%20in%20Screenwrit%0D%0A%20ing%20and%20Film%20Production%20hosted%20by%20the%20University%20of%20Southern%20California%20an%0D%0A%20d%20the%20US%20State%20Department.%20In%202017%5C%2C%20she%20was%20distinguished%20with%20a%20Young%20Cr%0D%0A%20eators%20FONCA%20grant%20from%20the%20Mexican%20Culture%20Ministry.%20In%202019%5C%2C%20she%20was%20a%20%0D%0A%20screenwriting%20finalist%20in%20the%20Watersprite%20International%20Student%20Film%20Festi%0D%0A%20val%20hosted%20by%20the%20University%20of%20Cambridge.%5Cn%5CnIn%20addition%20to%20their%201-page%5C%0D%0A%20%2C%20guests%20will%20be%20requested%20to%20participate%20in%20several%20practical%20activities%20%0D%0A%20designed%20to%20sensibilize%20them%20to%20the%20challenges%20of%20virtual%20reality%20includin%0D%0A%20g%20POV%5C%2C%20cues%5C%2C%20and%20technological%20limitations.%5Cn%5CnThe%20duration%20of%20the%20works%0D%0A%20hop%20is%203%20hours.%5Cn%5CnTo%20participate%20in%20the%20workshop%5C%2C%20please%20sign%20up%20via%20ema%0D%0A%20il%20info.industry@poff.ee%20by%20Wednesday%2025th%20of%20November.%5Cn%5Cn**The%20workshop%20%0D%0A%20is%20organized%20by%20Tartu%20Center%20for%20Creative%20Industries%5C%2C%20Tartu%20Film%20Fund%20and%0D%0A%20%20Tartu%20Science%20Park.**%5Cn%5Cn%0D%0AORGANIZER%3BCN%3D%22Industry@Tallinn%20%26%20Baltic%20Event%22%3Amailto%3Aindustry@poff.ee%0D%0AEND%3AVEVENT%0D%0AEND%3AVCALENDAR
TV Beats: Case Study: Hausen
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In my calendarBEGIN%3AVCALENDAR%0D%0AVERSION%3A2.0%0D%0APRODID%3A-//industry.poff.ee//Industry@Tallinn//EN%0D%0ABEGIN%3AVEVENT%0D%0AUID%3A00002ltfch@industry.poff.ee%0D%0ASEQUENCE%3A0%0D%0ADTSTAMP%3A20201127T140000Z%0D%0ADTSTART%3A20201127T140000Z%0D%0ADTEND%3A20201127T144500Z%0D%0ASUMMARY%3ATV%20Beats%3A%20Case%20Study%3A%20Hausen%0D%0ADESCRIPTION%3AThe%20MIDPOINT%20TV%20Launch%202016%20graduates%20and%20the%20HBO%20Europe%20Award%0D%0A%20%20winners%5C%2C%20Anna%20Stoeva%20and%20Till%20Kleinert%5C%2C%20will%20talk%20about%20their%20journey%20o%0D%0A%20n%20the%20recently%20released%20show%20and%20TV%20Launch%20alumni%20project%5C%2C%20Hausen.%5Cn%5CnSpe%0D%0A%20akers%3A%20Anna%20Stoeva%5C%2C%20Till%20Kleinert%5CnModerated%20by%20Katarina%20Tomkova%0D%0AORGANIZER%3BCN%3D%22Industry@Tallinn%20%26%20Baltic%20Event%22%3Amailto%3Aindustry@poff.ee%0D%0AEND%3AVEVENT%0D%0AEND%3AVCALENDAR