Welcome to the future of visual storytelling. Frame Within a Frame 2025 (FWF25) is an immersive, 7-day programme designed to bridge the gap between emerging and established cinematographers. This year, we're taking our journey on the road, with an exclusive 4-day experience in the vibrant creative hub of Tallinn, followed by an equally dynamic 3 days in Helsinki, in partnership with the visionary Aalto University and Aalto Studios.
FWF25 isn't just a program—it's a revolution in motion. We're thrilled to announce a new partnership with IMAGO (International Federation of Cinematography). Together, we're hosting a groundbreaking LED workshop, a deep dive into the technology and application of LEDs in modern cinematography. This collaborative workshop with the IMAGO Technical Committee and ICLS (International Cinema Lighting Society) is a testament to our commitment to lighting innovation.
Our eight emerging cinematographers selected through a competitive application process will get exclusive hands-on access to the latest ARRI camera, the ARRI ALEXA 35 Xtreme. Thanks to our tech partners Camera Nordic and ARRI, this is a unique opportunity to explore how technology can elevate the art of lighting.
18 November 2025
The film industry is changing faster than ever, and the question remains: can film schools keep up? Is it really true that some skills are to be learned only on set, or can schools and training programs deliver market-ready professionals and nurture creative voices at the same time? This panel brings together perspectives from film schools - Warsaw Film School, FAMU, Aalto University, and Baltic Film, Media and Arts School in Tallinn. Together, we will discuss how to bridge the gap between education and the industry, whether we are truly preparing students for the demands of the market, and how to balance technical upskilling with artistic development
Access: accreditation or day ticket
19 November 2025
Access: accreditation or day ticket
19 November 2025
Access: accreditation or day ticket
19 November 2025 10:00-12:30
Access: accreditation or day ticket
19 November 2025 14:00-17:30
Access: closed for Frame Within the Frame selected participants
20 November 2025 09:00-17:30
Access: closed for Frame Within the Frame selected participants
20 November 2025 18:30-22:00
Access: closed for Frame Within the Frame selected participants
20 November 2025
Access: accreditation or day ticket
21 November 2025 10:00-13:30
Access: accreditation or day ticket
21 November 202514:30-16:00
Access: accreditation or day ticket
21 November 2025 16:30-18:00
Access: accreditation or day ticket
21 November 2025
Access: accreditation or day ticket
Roberto Schaefer, ASC. AIC, is a BAFTA-nominated cinematographer with a distinguished career in film. He began his journey in Europe, where he worked alongside renowned directors such as Martin Scorsese and Nestor Almendros.
After moving to Los Angeles, Schaefer formed a notable collaboration with director Chris Guest, with whom he shot classic films including Waiting for Guffman, Best in Show, and For Your Consideration. He then embarked on an extensive creative partnership with director Marc Forster, serving as the cinematographer on nine films, including acclaimed works like Monster's Ball, Finding Neverland, and Quantum of Solace.
Schaefer's other credits include collaborations with directors such as Lee Daniels on The Paperboy and Don Cheadle on Miles Ahead. His recent work includes Creation Stories (2021) and the Netflix film Rattlesnake (2019).
He is a respected member of several prestigious industry organizations, including the American Society of Cinematographers (A.S.C.) since 2006, the Italian Society of Cinematographers (A.I.C.), AMPAS, and BAFTA LA.
Rauno Ronkainen FSC is a Helsinki-based cinematographer with over 15 years of experience in feature films and television dramas. He began his career in the early 90s, studying cinematography at the University of Industrial Design in Helsinki. His extensive body of work includes 19 feature films, numerous long-form TV series, commercials, and documentaries.
Throughout his career, Rauno has focused on blending traditional and cutting-edge techniques. His work is deeply rooted in close collaboration with actors and directors, with a strong interest in the dramaturgy and content of the script. His working philosophy is based on meticulous pre-production and a shared passion for the story with his team.
In addition to his professional work as a freelance cinematographer, he has also served as a professor of cinematography at Aalto University.
Rauno's work has earned him both domestic and international recognition, including a Silver Frog at Camerimage for the film Helene, and the Kodak Vision Award at the Gothenburg Film Festival for Frozen Land. He is a four-time winner of the Jussi Award for Best Cinematography, the Finnish national award for feature films.
John Christian Rosenlund FCF is a highly experienced Norwegian cinematographer with a career spanning over 25 years. He has served as the cinematographer on approximately 25 feature films, numerous television series, and hundreds of commercials.
Rosenlund has received positive reviews for his work from publications such as the Hollywood Reporter and Variety, particularly for his cinematography on the film The King's Choice. His notable filmography includes Stella Days, A Thousand Times Good Night, and the TV series The Saboteurs.
He was honored with the Aamot Statue from Film & Kino in 2006, recognizing his significant contributions to the industry. His most recent works include The Middle Man (2021) and Paradise Highway (2022).
Philippe Ros AFC is a highly respected French cinematographer and digital imaging expert. After graduating from the Ecole Nationale Louis Lumière in Paris, he spent over a decade as a camera assistant, specializing in "intuitive focusing" for world-renowned operators.
Early in his career, Ros distinguished himself with his shoulder-held camera work, which led to a specialization in shooting live concerts, music documentaries, and commercials as a lighting director. As a director of photography, he has worked on numerous TV movies and feature films, including the lighting design for the popular TV series Kaamelott.
He is a recognized expert in digital intermediate and has led numerous international seminars and workshops on the subject. His notable projects as a technical supervisor include Yann Arthus-Bertrand's feature film Home, which was shot exclusively from helicopters, and the five-and-a-half-year production of Oceans, where he was responsible for the quality of all underwater and microscopic sequences. He also worked on the Bot-Trilogy, a series of short films that became a reference for 4K digital intermediate.
Ros is a member of the French Association of Directors of Photography (AFC), co-chairman of the Technical Committee of Imago, an honorary member of the Canadian Society of Cinematographers (CSC), and a member of the Superior Technical Committee of Image and Sound (CST). He is a graduate of France's National Institute of Cinematography Louis Lumière.
Ville Penttilä *FSC ICLS * is a Helsinki-based gaffer with over 15 years of experience in feature films and television dramas. After starting his career in the film industry as a runner and PA, he discovered his passion for lighting and climbed the ranks by working closely with talented cinematographers.
His extensive filmography includes collaborations with world-renowned directors and cinematographers. He served as chief lighting technician on Christopher Nolan's Tenet and worked as a gaffer on films such as The Girl with a Dragon Tattoo, The Eternal Road, and The Fire Eater.
In addition to his professional work, Ville is a Professor of Cinematography at Aalto University, where he shares his knowledge of combining traditional and the latest lighting techniques. His work philosophy is centered on close collaboration, careful pre-production, and a shared passion for storytelling.
Ville's work has been recognized with multiple accolades, including a Jussi Award and the Finnish Society of Cinematographers award for his collaboration with a DOP.
We are proud to present two significant awards at this year's industry award ceremony:
FWF LENS Award: Presented by ARRI, this is the main award for the best cinematographer, celebrating their profound contribution to the art and techniques of cinematography.
The Golden Ticket: In collaboration with Team 4 Set this award grants the best upcoming FWF talent the opportunity to participate in a cinematography lab in Poland, offering a career-defining experience.
We extend our sincere gratitude to the incredible partners who make FWF25 possible. Their support is instrumental in pushing the boundaries of cinematography.
IMAGO (International Federation of Cinematography)
ICLS (International Cinema Lighting Society)
Tallinn University (BFM)
Aalto University
Aalto Studios
ARRI
Camera Nordic
Team 4 Set
Euro Cine